randian | 燃点

(中文) “后疫情”正在变成陈词滥调，新常态才是人们不知不觉中沉浸的现实，而当时过境迁之后，这些项目及个中“碎片”所蕴含的密码也就容易提取了。到那个时候，到底“艺术项目”是不是艺术的问题就不重要了。 >> Read more

Zheng Bo is not a prolific artist. He maintains a certain distance from art circles, yet he has studied and practiced socially engaged art and social engagement for over a decade.
 
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u-topophilia intends to propose a narrative strategy regarding place, architecture, utopia and social movements, and also the possibilities of connecting in societal space. The concept Utopia reflects people’s dis-satisfaction with reality and their hope, so do architecture and art. >> Read more

Contemporary by Angela Li is proud to present Martin Wehmer’s solo exhibition – Ta Men, the first solo exhibition of the Beijing-based German artist in Hong Kong. His paintings, in thick oil paint, are snapshots of people in different states of mind and engaged in different daily activities. >> Read more

So I am walking in, wandering through this dimly lit, shack-like choral site, a sort of khôrā (χώρα), the territory outside the polis also rooted in it as an invisible receptacle, a housing house. >> Read more

‟Liquefied Sunshine | Force Majeure” is a dual solo exhibition by Hong Kong artists, >> Read more

Over the past few years my research has focused on the development of sound art and experimental music practices in China since the early '90s. My approach to these practices has been strongly influenced by the idea that sound can be critical. >> Read more

A two-stage exhibition at Guangzhou’s Observation Society and Sydney’s 4A Centre for Contemporary Asian Art highlights unique urban conditions across two cities. >> Read more

A Thousand Plateaus Art Space is pleased to announce the opening of the four-year local art practice project Parallel Suspension by the artist group Chen Jianjun + Cao Minghao, as well as the first edition of annual group exhibition project Summer Discovery 2014 on August 9th. >> Read more

Minimalist, conceptual, and deliberately provocative, Cao’s work reflects upon and exploits the physicality of her materials, from the conventional – marble, stretched linen and canvas – to unexpected, even transgressive, substances including the artist’s own hair, breastmilk and urine, and their various significations. >> Read more